Described by the New York Times as one of two American journals in which public intellectuals and other scholars prefer to publish, the highly acclaimed Common Knowledge has returned to publication after a two-year hiatus. In an effort to place itself in the ferment of intellectual life and broaden its geographical range, the journal has moved to the Middle East, to Israel. Born in an attempt to moderate and get past the "culture wars" of the 90s, Common Knowledge has moved, literally, to a war zone, and accordingly its editorial interests have broadened to include culture wars of a less metaphorical kind.
Its mission is both incredibly ambitious and shockingly simple: to open up lines of communication between the academy and the community of thoughtful people outside its walls. Common Knowledge was created to form a new intellectual model, one based on conversation or cooperation rather than on metaphors adopted from sports and war, of "sides" that one must "take." The journal will collect work from a variety of fields and specialties, including philosophy, religion, psychology, literary criticism, cultural studies, art history, political science, and social, cultural, and intellectual history.
Scholars such as Richard Rorty, Bruno Latour, Clifford Geertz, Julia Kristeva, Karma Nabulsi, and J. G. A. Pocock will cross paths with political figures like Prince Hassan of Jordan and President Arpad Goncz of Hungary, novelists like Susan Sontag, poets like Yves Bonnefoy, composers like Alexander Goehr, and journalists like Adam Michnik. The pages of Common Knowledge are sure to challenge the ways we think about theory and its relevance to humanity. The first volume will feature the beginning of a Seriatim Symposium, “Disagreement, Enmity, and Dispute,” which will include discussions of the title concepts from a variety of theoretical perspectives. The Symposium asks why, in an intellectual context in which “true” and “real” are words that can be used only in condescending scare quotes, there is so much absolute conflict. If truth and reality are constructions, then why aren’t we constructing consensual orders (metaphysical and social) that are conducive to peace, calm, and cooperation?
Contributors for forthcoming issues include: Manfred Frank, Jacques Le Goff, Vicki Hearne, Sissela Bok, Edward Cardinal Cassidy, Linda Hutcheon, G. Thomas Tanselle, Arlette Farge, Marcel Detienne, Caryl Emerson, Stanley Katz, and Peter Laslett.
Innovation Policy and the Economy provides a forum for research on the interactions among public policy, the innovation process, and the economy. The distinguished contributors cover all types of policy that affect the ability of an economy to achieve scientific and technological progress or that affect the impact of science and technology on economic growth. Among the issues covered in Volume 8 are policy challenges at the university-industry interface, the role of innovation and experimentation in the net neutrality debate, and the trade-offs in establishing the scope of patent rights or limitations on patent pools.
Playwrights for Tomorrow was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Three playwrights are represented in this, the eighth volume of the continuing series Playwrights for Tomorrow, which makes available the work of playwrights who have been sponsored by the University of Minnesota Office for Advanced Drama Research. Under the program of the O.A.D.R., which is aided by a grant from the Rockefeller Foundation, writers are given the opportunity to work on their scripts and have their plays produced by cooperating theater companies. The program is directed by Arthur H. Ballet, the series editor.
The three plays in this volume are A Gun Play by Yale M. Udoff, Anniversary on Weedy Hill by Allen Joseph, and The Nihilist by William N. Monson. Professor Ballet provides an introduction in which he explains the purpose and scope of the O.A.D.R. program, recounts some of its history and accomplishments, and tells a little about the O.A.D.R. productions of each of the plays included here.
A Gun Play was produced by the Hartford Stage Company in Hartford, Connecticut, under the direction of Paul Weidner. Later it had an off-Broadway run in New York City, staged by commercial producers. The author, Yale Udoff, is a professional writer primarily involved in the mass media.
Anniversary on Weedy Hill was produced by Theatre West, a professional company in West Hollywood, California. Allen Joseph, the author, a professional actor in film and television, turned to playwriting in the midst of a well-established career in the theater.
The Nihilist was the second play of the O.A.D.R. offered through the facilities of the University of California at Davis Theatre under the direction of Alfred Rossi. William Monson, the playwright, is from the world of academe.
Contributors. Lionel Cantú, Gabriel Giorgi, Venetia Kantsa, Lawrence La Fountain-Stokes, Michael Luongo, Kevin Markwell, Jasbir Kaur Puar, Dereka Rushbrook
Contributors. Kim Brandt, Leo Ching, Carol Ann Christ, Christine Guth, Jordan Sand, Gennifer Weisenfeld, Cherie Wendelken
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
This fascicle includes four oversized site plans in pocket.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press